+90(533) 652 66 86
nwsa.akademi@hotmail.com
Fırat Akademi Samsun-Türkiye
+90(533) 652 66 86nwsa.akademi@hotmail.com
Fırat Akademi Samsun-Türkiye
COMING UP WITH AN IRONIC AND CRITICAL APPROACH TO THE BOUNDLESS TRANSACTIONS BETWEEN PAST AND PRESENT: PETER ACKROYD’S CHATTERTON AND A. S. BYATT’S POSSESSION
PETER ACKROYD’UN CHATTERTON VE A.S. BYATT’IN POSSESSION ADLI ROMANLARINDA GEÇMİŞ VE GÜNÜMÜZ ARASINDAKI GEÇİŞLERE ELEŞTİREL VE İRONIK BİR YAKLAŞIM |
| Romanın sınırları, Peter Ackroyd, A. S. Byatt, Chatterton, Possession, |
| Boundaries of fiction, Peter Ackroyd, A. S. Byatt, Chatterton, Possession, |
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SİNEMAYI HAYATA YAKLAŞTIRMAK: SAHTE BELGESEL (MOCKUMENTARY) FİLMLER
MAKING CINEMA CLOSE TO LIFE: FAKE DOCUMENTARY (MOCKUMENTARY) MOVIES |
| Sinema , Belgesel, Gerçeklik, Mockumentary , Sahte Belgesel, |
| Cinema, Documentary, Reality , Mockumentary, Fake Documentary, |
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KÖTÜ RESMİN SANATTAKİ YERİ
PLACE OF BAD PAINTING IN FINE ART |
| Kötü Resim, Yeni Dışavurumculuk, Yeni İmge Resmi, Kötü, Yıkıcı, |
| Bad Painting, New Expressionism, New Image Painting, Bad, Destructive, |
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IRONY AS A INSTRUMENTALITY OF QUOTING IN POSTMODERN ART
POSTMODERN SANATTA İFADE ARACI OLARAK İRONİ |
| Sanat, Modernizm, Postmodern Sanat, Alıntılama, İroni, |
| Art, Modernism, Postmodern Art , Quoting, Irony, |
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