TÜRKİYE'DE GÖÇ VE TÜRK SİNEMASI: 1960-2009
MIGRATION IN TURKEY AND TURKISH CİNEMA:1960-2005
|
|
GOÇ,
KİTLE,
KİTLE KÜLTÜRÜ,
POPÜLER,
SİNEMA,
|
|
MIGRATION,
MASS,
MASS CULTURE,
POPULAR,
CINEMA,
|
|
İZLEYİCİLERİN FİLM SEÇME DAVRANIŞINDA FİLM AFİŞLERİNİN ROLÜ
THE ROLE OF THE MOVIE POSTERS ON THE BEHAVIOUR OF AUDIENCES IN CHOOSING THE MOVIE
|
|
Sinema Filmi,
Film Afişi,
Film Tercihi,
Afişin Beğenilmesi,
Grafik Tasarım,
|
|
Movie,
Movie Poster,
Film Choices,
Likeability of Poster,
Graphic Design,
|
|
SİNEMASAL ANLATIDA DUYGUSAL ZEKA AVATAR (2009) FİLM ÇÖZÜMLEMESİNDE OLAYLAR VE KARAKTER ÖRÜNTÜSÜ ÜZERİNDE DUYGUSAL ZEKA GÖSTERGELERİNİN ANALİZİ
EMOTIONAL INTELLIGENCE IN CINEMATIC NARRATIVETHE ANALYSES OF EMOTIONAL INTELLIGENCE INDICATORS OVER THE EVENTS AND CHARACTER PATTERNS IN THE AVATAR (2009) FILM
|
|
Duygusal Zeka,
Duygusal Okuryazarlık,
Sinemasal Anlatı,
Göstergebilim,
Avatar Filmi,
|
|
Emotional Intelligence, ,
Cinematic Narrative,
Emotional Literacy,
Semiotics ,
Avatar Movie,
|
|
GÖSTERGEBİLİM TARİHİ
THE HISTORY OF SEMIOTICS
|
|
Göstergebilim Tarihi,
Gösterge,
Anlam,
Alan,
Yöntem,
|
|
The history of Semiotics,
Sign,
Signification,
Domain,
Method,
|
|
SİBORG FİGÜRLERİ OLARAK SİNEMADA KADIN KAHRAMANLAR
ACTION HEROINES AS CYBORG FIGURES IN CINEMA
|
|
Kadın Aksiyon Kahramanları,
Bilim Kurgu,
Siborg Figürü,
Teknoloji,
Beden,
|
|
Action Heroines,
Science Fiction,
Cyborg Figure,
Technology,
Body,
|
|
SİNEMA SALONLARININ İÇ MEKAN DÜZENLEMESİ VE GÜNÜMÜZDEKİ KULLANIMI
THE INTERIOR ORGANIZATION OF CINEMA HALLS AND THE USAGE OF THESE IN CURRENT CONDITIONS
|
|
İletişim, Sinema Salonu, Sahne, Seyirci Salonu,,
|
|
Communication, Cinema Hall, Scene, Audience,,
|
|
CANLANDIRMA SİNEMASINDA KARAKTER TASARIMI VE AMERİKA KÖKENLİ ÖNEMLİ CANLANDIRMA KARAKTERLERİNİN ANALİZİ
CHARACTER DESIGN IN ANIMATION CINEMA AND ANALYS IS OF IMPORTANT ANIMATION CHARACTER AMERICA OF ORIGIN
|
|
Canlandırma Sineması,
Karakter Tasarımı,
Psikoloji,
Sosyoloji,
Amerika,
|
|
Animation,
Character Design,
Psychology,
Sociology,
America,
|
|
SİNEMAYI HAYATA YAKLAŞTIRMAK: SAHTE BELGESEL (MOCKUMENTARY) FİLMLER
MAKING CINEMA CLOSE TO LIFE: FAKE DOCUMENTARY (MOCKUMENTARY) MOVIES
|
|
Sinema ,
Belgesel,
Gerçeklik,
Mockumentary ,
Sahte Belgesel,
|
|
Cinema,
Documentary,
Reality ,
Mockumentary,
Fake Documentary,
|
|
TÜRKİYE’DE ULUSAL ÖĞRENCİ KISA FİLM VE BELGESELLERİNDE SES İLE İLGİLİ KARŞILAŞILAN SORUNLAR
THE PROBLEMS ENCOUNTERED IN NATIONAL SHORT FILMS AND DOCUMENTARIES OF STUDENTS IN TURKEY
|
|
Film Sesi,
Kısa Film,
Belgesel,
Ses Kurgusu,
Ses Kaydı,
|
|
Film Sound,
Short Film,
Documentary,
Audio Montage,
Sound Recording,
|
|
SANATTA DİYALEKTİK İMGE
DIALECTIC IMAGE IN ART
|
|
Diyalektik İmge,
Walter Benjamin,
Pasajlar,
Angelus Novus,
Sanat,
|
|
Dialectical Image,
Walter Benjamin,
Passages,
Angelus Novus,
Art,
|
|
TELEVİZYON REKLAMLARINDA KİL ANİMASYONUN KULLANIMI
THE USE OF CLAY ANIMATION IN TELEVISION ADVERTISEMENTS
|
|
Animasyon,
Kil Animasyon,
Reklam,
Sinema,
Televizyon Reklamı,
|
|
Animation,
Clay Animation,
Advertising,
Cinema,
Television Advertising,
|
|
TEMEL RENK ARMONİLERİNİN; SANAT, TASARIM VE SİNEMA ALANLARIN DA KULLANIMI
THE USAGE OF BASIC HORMONIES OF COLORS IN THE SECTORS SUCH AS ARTS, DESIGN AND CINEMA
|
|
Renk,,
Temel Renk Armonileri,
Sanat,
Tasarım ve Sinema,
Moda,
|
|
Colour,
Some Basic Palette of Colour Harmonies,
Arts,
Design and Cinema,
Fashion,
|
|
STOP MOTION CANLANDIRMA SİNEMASINDA ESTETİK YAKLAŞIMLAR
AESTHETIC APPROACHES IN STOP MOTION ANIMATED FILMS
|
|
Canlandırma,
Stop Motion,
Canlandırmada Estetik,
Stop Motion Teknikler,
Canlandırma Sineması,
|
|
Animation,
Stop Motion,
Aesthetics in Animation,
Stop Motion Techniques,
Animation Cinema,
|
|
+90(533) 652 66 86
nwsa.akademi@hotmail.com
Fırat Akademi Samsun-Türkiye