ETİLEN GLİKOL+SÜLFÜRİK ASİT İÇERİSİNDE 7075 ALUMİNYUM ALAŞIMI ÜZERİNDE ALUMİNYUM OKSİT TABAKASININ GELİŞTİRİLMESİ
THE DEVELOPMENT OF THE ALUMINUM OXIDE LAYER ON 7075 ALUMINUM ALLOY IN ETHYLENE GLYCOL+SULFURIC ACID
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7075 Aluminyum,
Etilen Glikol ,
Korozyon,
Gözenekli Oksit Filmi,
Elektrokimyasal İmpedans Spektroskopisi,
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7075 Aluminum,
Ethylene Glycol,
Corrosion,
Porous Oxide Film,
Electrochemical Impedance Spectroscopy,
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BİYOFİLM OLUŞUMUNUN GALVANİZLİ ÇELİĞİN BİYOKOROZYONUNA ETKİSİNİN ELEKTROKİMYASAL YÖNTEMLERLE İNCELENMESİ
INVESTIGATION OF THE EFFECT OF BIOFILM FORMATION ON THE BIOCORROSION OF GALVANIZED STEEL BY ELECTROCHEMICAL METHODS
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Galvanizli Çelik,
Biyofilm,
Mikrobiyolojik Korozyon,
Elektrokimyasal Yöntemler,
Soğutma Kulesi,
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Galvanized Steel,
Biofilm,
Microbiologically Induced Corrosion,
Electrochemical Methods,
Cooling Tower,
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İLKOKUL DÖRDÜNCÜ SINIF ÖĞRENCİLERİNİN YAZDIKLARI ÖYKÜLERİN KARŞILAŞTIRILMASI
THE COMPARISON OF STORIES WRITTEN BY USING CREATIVE DRAMA AND DEMONSTRATION METHODS
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Gösteri,
Gülibik,
İlkokul,
Öykü,
Yaratıcı Drama,
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Story,
Creative Drama,
Demonstration,
Elementary School ,
Gulibik,
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MEDYAYA ELEŞTİREL BİR BAKIŞ ve THE TRUMAN SHOW
A CRITICAL VIEW IN MEDIA AND THE TRUMAN SHOW
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The Truman Show,
Frankfurt Okulu,
Kültür Endüstrisi,
Medya,
Manipule,
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Frankfurt School,
The Truman Show,
Maniple,
Media,
Culture Industry,
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TÜRKİYE'DE GÖÇ VE TÜRK SİNEMASI: 1960-2009
MIGRATION IN TURKEY AND TURKISH CİNEMA:1960-2005
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GOÇ,
KİTLE,
KİTLE KÜLTÜRÜ,
POPÜLER,
SİNEMA,
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MIGRATION,
MASS,
MASS CULTURE,
POPULAR,
CINEMA,
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İZLEYİCİLERİN FİLM SEÇME DAVRANIŞINDA FİLM AFİŞLERİNİN ROLÜ
THE ROLE OF THE MOVIE POSTERS ON THE BEHAVIOUR OF AUDIENCES IN CHOOSING THE MOVIE
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Sinema Filmi,
Film Afişi,
Film Tercihi,
Afişin Beğenilmesi,
Grafik Tasarım,
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Movie,
Movie Poster,
Film Choices,
Likeability of Poster,
Graphic Design,
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SİNEMASAL ANLATIDA DUYGUSAL ZEKA AVATAR (2009) FİLM ÇÖZÜMLEMESİNDE OLAYLAR VE KARAKTER ÖRÜNTÜSÜ ÜZERİNDE DUYGUSAL ZEKA GÖSTERGELERİNİN ANALİZİ
EMOTIONAL INTELLIGENCE IN CINEMATIC NARRATIVETHE ANALYSES OF EMOTIONAL INTELLIGENCE INDICATORS OVER THE EVENTS AND CHARACTER PATTERNS IN THE AVATAR (2009) FILM
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Duygusal Zeka,
Duygusal Okuryazarlık,
Sinemasal Anlatı,
Göstergebilim,
Avatar Filmi,
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Emotional Intelligence, ,
Cinematic Narrative,
Emotional Literacy,
Semiotics ,
Avatar Movie,
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ZİHİNSEL HARİTALARIN VE DENEYİMİN DÖNÜŞÜMÜ: TOTAL RECALL
TRANSFORMATION OF COGNITIVE MAPS AND EXPERIENCE: TOTAL RECALL
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Teknoloji,
Postmodern Gerçeklik,
Siberpunk,
Zaman ve Mekan Algısı,
Bellek,
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Technology,
Postmodern Reality,
Cyberpunk,
Perception of Time and Space,
Memory,
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SİBORG FİGÜRLERİ OLARAK SİNEMADA KADIN KAHRAMANLAR
ACTION HEROINES AS CYBORG FIGURES IN CINEMA
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Kadın Aksiyon Kahramanları,
Bilim Kurgu,
Siborg Figürü,
Teknoloji,
Beden,
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Action Heroines,
Science Fiction,
Cyborg Figure,
Technology,
Body,
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SİYASETİN KÜLTÜREL DİLİ: 31 MART YEREL SEÇİMİNDE SİYASİ PARTİLERİN REKLAMLARINDA KULLANDIKLARI KÜLTÜREL KODLAR ve GÖSTERGEBİLİMSEL ANALİZİ
CULTUREL LANGUAGE OF POLITICS: CULTUREL CODES AND SEMIOTIC ANALYSIS OF POLITICAL PARTIES IN THEIR ADVERTISEMENTS IN THE MARCH 31 LOCAL ELECTIONS
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Reklam,
Siyasal Reklamcılık,
Kültür,
Kültürel Kodlar,
Göstergebilim,
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Advertisement,
Political Advertisement,
Culture,
Cultural Codes,
Semiotics,
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NANE UÇUCU YAĞI İLAVE EDİLMİŞ KİTOSAN FİLMLERİN GÖKKUŞAĞI ALABALIĞI (Oncorhynchus mykiss) FİLETOLARININ MİKROBİYOLOJİK KALİTESİNE ETKİSİ
EFFECT OF CHITOSAN FILMS ADDED PEPPERMINT ESSENTIAL OIL ON THE MICROBIOLOGICAL QUALITY OF RAINBOW TROUT (Oncorhynchus mykiss) FILLETS
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Gökkuşağı Alabalığı,
Kitosan,
Mikrobiyolojik Kalite,
Nane Uçucu Yağı,
Fileto,
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Rainbow Trout,
Chitosan, ,
Microbilogical Quality,
Peppermint Essential Oil,
Fillet,
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SİNEMA SALONLARININ İÇ MEKAN DÜZENLEMESİ VE GÜNÜMÜZDEKİ KULLANIMI
THE INTERIOR ORGANIZATION OF CINEMA HALLS AND THE USAGE OF THESE IN CURRENT CONDITIONS
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İletişim, Sinema Salonu, Sahne, Seyirci Salonu,,
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Communication, Cinema Hall, Scene, Audience,,
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CANLANDIRMA SİNEMASINDA KARAKTER TASARIMI VE AMERİKA KÖKENLİ ÖNEMLİ CANLANDIRMA KARAKTERLERİNİN ANALİZİ
CHARACTER DESIGN IN ANIMATION CINEMA AND ANALYS IS OF IMPORTANT ANIMATION CHARACTER AMERICA OF ORIGIN
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Canlandırma Sineması,
Karakter Tasarımı,
Psikoloji,
Sosyoloji,
Amerika,
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Animation,
Character Design,
Psychology,
Sociology,
America,
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SİNEMAYI HAYATA YAKLAŞTIRMAK: SAHTE BELGESEL (MOCKUMENTARY) FİLMLER
MAKING CINEMA CLOSE TO LIFE: FAKE DOCUMENTARY (MOCKUMENTARY) MOVIES
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Sinema ,
Belgesel,
Gerçeklik,
Mockumentary ,
Sahte Belgesel,
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Cinema,
Documentary,
Reality ,
Mockumentary,
Fake Documentary,
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SENTEZLENMİŞ DÜŞÜNSEL İMGELERİN BİR DANS KOREOGRAFİSİNE DÖNÜŞÜMÜ
INTELLECTUAL IMAGES INTO A DANCE CHOREOGRAPHY: â€THREE†DANCE PROJECT
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Beşeri İlişkiler,
Açgözlülük,
İhtiras,
Çatışma,
Ego,
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Human Relations,
Greed,
Ambition,
Conflict,
Ego,
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TÜRKİYE’DE ULUSAL ÖĞRENCİ KISA FİLM VE BELGESELLERİNDE SES İLE İLGİLİ KARŞILAŞILAN SORUNLAR
THE PROBLEMS ENCOUNTERED IN NATIONAL SHORT FILMS AND DOCUMENTARIES OF STUDENTS IN TURKEY
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Film Sesi,
Kısa Film,
Belgesel,
Ses Kurgusu,
Ses Kaydı,
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Film Sound,
Short Film,
Documentary,
Audio Montage,
Sound Recording,
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SANATTA DİYALEKTİK İMGE
DIALECTIC IMAGE IN ART
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Diyalektik İmge,
Walter Benjamin,
Pasajlar,
Angelus Novus,
Sanat,
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Dialectical Image,
Walter Benjamin,
Passages,
Angelus Novus,
Art,
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TELEVİZYON REKLAMLARINDA KİL ANİMASYONUN KULLANIMI
THE USE OF CLAY ANIMATION IN TELEVISION ADVERTISEMENTS
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Animasyon,
Kil Animasyon,
Reklam,
Sinema,
Televizyon Reklamı,
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Animation,
Clay Animation,
Advertising,
Cinema,
Television Advertising,
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TEMEL RENK ARMONİLERİNİN; SANAT, TASARIM VE SİNEMA ALANLARIN DA KULLANIMI
THE USAGE OF BASIC HORMONIES OF COLORS IN THE SECTORS SUCH AS ARTS, DESIGN AND CINEMA
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Renk,,
Temel Renk Armonileri,
Sanat,
Tasarım ve Sinema,
Moda,
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Colour,
Some Basic Palette of Colour Harmonies,
Arts,
Design and Cinema,
Fashion,
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STOP MOTION CANLANDIRMA SİNEMASINDA ESTETİK YAKLAŞIMLAR
AESTHETIC APPROACHES IN STOP MOTION ANIMATED FILMS
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Canlandırma,
Stop Motion,
Canlandırmada Estetik,
Stop Motion Teknikler,
Canlandırma Sineması,
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Animation,
Stop Motion,
Aesthetics in Animation,
Stop Motion Techniques,
Animation Cinema,
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