TÜRKÝYE'DE GÖÇ VE TÜRK SÝNEMASI: 1960-2009
MIGRATION IN TURKEY AND TURKISH CÝNEMA:1960-2005
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GOÇ,
KÝTLE,
KÝTLE KÜLTÜRÜ,
POPÜLER,
SÝNEMA,
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MIGRATION,
MASS,
MASS CULTURE,
POPULAR,
CINEMA,
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ÝZLEYÝCÝLERÝN FÝLM SEÇME DAVRANIÞINDA FÝLM AFÝÞLERÝNÝN ROLÜ
THE ROLE OF THE MOVIE POSTERS ON THE BEHAVIOUR OF AUDIENCES IN CHOOSING THE MOVIE
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Sinema Filmi,
Film Afiþi,
Film Tercihi,
Afiþin Beðenilmesi,
Grafik Tasarým,
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Movie,
Movie Poster,
Film Choices,
Likeability of Poster,
Graphic Design,
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SÝNEMASAL ANLATIDA DUYGUSAL ZEKA AVATAR (2009) FÝLM ÇÖZÜMLEMESÝNDE OLAYLAR VE KARAKTER ÖRÜNTÜSÜ ÜZERÝNDE DUYGUSAL ZEKA GÖSTERGELERÝNÝN ANALÝZÝ
EMOTIONAL INTELLIGENCE IN CINEMATIC NARRATIVETHE ANALYSES OF EMOTIONAL INTELLIGENCE INDICATORS OVER THE EVENTS AND CHARACTER PATTERNS IN THE AVATAR (2009) FILM
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Duygusal Zeka,
Duygusal Okuryazarlýk,
Sinemasal Anlatý,
Göstergebilim,
Avatar Filmi,
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Emotional Intelligence, ,
Cinematic Narrative,
Emotional Literacy,
Semiotics ,
Avatar Movie,
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SÝBORG FÝGÜRLERÝ OLARAK SÝNEMADA KADIN KAHRAMANLAR
ACTION HEROINES AS CYBORG FIGURES IN CINEMA
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Kadýn Aksiyon Kahramanlarý,
Bilim Kurgu,
Siborg Figürü,
Teknoloji,
Beden,
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Action Heroines,
Science Fiction,
Cyborg Figure,
Technology,
Body,
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SÝNEMA SALONLARININ ÝÇ MEKAN DÜZENLEMESÝ VE GÜNÜMÜZDEKÝ KULLANIMI
THE INTERIOR ORGANIZATION OF CINEMA HALLS AND THE USAGE OF THESE IN CURRENT CONDITIONS
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Ýletiþim, Sinema Salonu, Sahne, Seyirci Salonu,,
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Communication, Cinema Hall, Scene, Audience,,
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CANLANDIRMA SÝNEMASINDA KARAKTER TASARIMI VE AMERÝKA KÖKENLÝ ÖNEMLÝ CANLANDIRMA KARAKTERLERÝNÝN ANALÝZÝ
CHARACTER DESIGN IN ANIMATION CINEMA AND ANALYS IS OF IMPORTANT ANIMATION CHARACTER AMERICA OF ORIGIN
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Canlandýrma Sinemasý,
Karakter Tasarýmý,
Psikoloji,
Sosyoloji,
Amerika,
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Animation,
Character Design,
Psychology,
Sociology,
America,
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SÝNEMAYI HAYATA YAKLAÞTIRMAK: SAHTE BELGESEL (MOCKUMENTARY) FÝLMLER
MAKING CINEMA CLOSE TO LIFE: FAKE DOCUMENTARY (MOCKUMENTARY) MOVIES
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Sinema ,
Belgesel,
Gerçeklik,
Mockumentary ,
Sahte Belgesel,
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Cinema,
Documentary,
Reality ,
Mockumentary,
Fake Documentary,
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TÜRKÝYE’DE ULUSAL ÖÐRENCÝ KISA FÝLM VE BELGESELLERÝNDE SES ÝLE ÝLGÝLÝ KARÞILAÞILAN SORUNLAR
THE PROBLEMS ENCOUNTERED IN NATIONAL SHORT FILMS AND DOCUMENTARIES OF STUDENTS IN TURKEY
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Film Sesi,
Kýsa Film,
Belgesel,
Ses Kurgusu,
Ses Kaydý,
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Film Sound,
Short Film,
Documentary,
Audio Montage,
Sound Recording,
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SANATTA DÝYALEKTÝK ÝMGE
DIALECTIC IMAGE IN ART
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Diyalektik Ýmge,
Walter Benjamin,
Pasajlar,
Angelus Novus,
Sanat,
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Dialectical Image,
Walter Benjamin,
Passages,
Angelus Novus,
Art,
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TELEVÝZYON REKLAMLARINDA KÝL ANÝMASYONUN KULLANIMI
THE USE OF CLAY ANIMATION IN TELEVISION ADVERTISEMENTS
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Animasyon,
Kil Animasyon,
Reklam,
Sinema,
Televizyon Reklamý,
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Animation,
Clay Animation,
Advertising,
Cinema,
Television Advertising,
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TEMEL RENK ARMONÝLERÝNÝN; SANAT, TASARIM VE SÝNEMA ALANLARIN DA KULLANIMI
THE USAGE OF BASIC HORMONIES OF COLORS IN THE SECTORS SUCH AS ARTS, DESIGN AND CINEMA
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Renk,,
Temel Renk Armonileri,
Sanat,
Tasarým ve Sinema,
Moda,
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Colour,
Some Basic Palette of Colour Harmonies,
Arts,
Design and Cinema,
Fashion,
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STOP MOTION CANLANDIRMA SÝNEMASINDA ESTETÝK YAKLAÞIMLAR
AESTHETIC APPROACHES IN STOP MOTION ANIMATED FILMS
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Canlandýrma,
Stop Motion,
Canlandýrmada Estetik,
Stop Motion Teknikler,
Canlandýrma Sinemasý,
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Animation,
Stop Motion,
Aesthetics in Animation,
Stop Motion Techniques,
Animation Cinema,
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+90(533) 652 66 86
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Fýrat Akademi Samsun-Türkiye
