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MAUPASSANT’IN PIERRE VE JEAN İSİMLİ ROMANINDA AİLE, GENÇLİK VE AHLAKİ DEĞERLER
FAMILY, YOUTH AND ETHICAL VALUES IN THE NOVEL, PIERRE AND JEAN BY MAUPASSANT
Guy de Maupassant, Pierre ve Jean, Aile, Gençlik, Ahlâki Değerler,
Guy de Maupassant, Pierre and Jean, Family, Youth, Ethical Values,

İHSAN OKTAY ANAR’IN KİTAB-ÜL HİYEL ADLI ROMANI ÜZERİNE BİR İNCELEME
AN ANALYSIS ON THE NOVEL OF İHSAN OKTAY ANAR “KİTAB-ÜL HİYEL”
Tema, Şahıs Kadrosu, Mizah Unsurları, Zaman, Dil ve Anlatım,
Theme, Characters, Humour Elements, Time, Language And Expression,

COMING UP WITH AN IRONIC AND CRITICAL APPROACH TO THE BOUNDLESS TRANSACTIONS BETWEEN PAST AND PRESENT: PETER ACKROYD’S CHATTERTON AND A. S. BYATT’S POSSESSION
PETER ACKROYD’UN CHATTERTON VE A.S. BYATT’IN POSSESSION ADLI ROMANLARINDA GEÇMİŞ VE GÜNÜMÜZ ARASINDAKI GEÇİŞLERE ELEŞTİREL VE İRONIK BİR YAKLAŞIM
Romanın sınırları, Peter Ackroyd, A. S. Byatt, Chatterton, Possession,
Boundaries of fiction, Peter Ackroyd, A. S. Byatt, Chatterton, Possession,

MURATHAN MUNGAN’IN DUMRUL İLE AZRAİL HİKÂYESİNE HALK BİLİMSEL BİR YAKLAŞIM
A FOLKLORISTIC APPROACH TO MUNGAN’S DUMRUL AND AZRAİL STORY
Dumrul, Kurmaca, Azrail, Dede Korkut, Halk Bilimi,
Dumrul, Fiction, Azrail, Dede Korkut, Folklore,

SİBORG FİGÜRLERİ OLARAK SİNEMADA KADIN KAHRAMANLAR
ACTION HEROINES AS CYBORG FIGURES IN CINEMA
Kadın Aksiyon Kahramanları, Bilim Kurgu, Siborg Figürü, Teknoloji, Beden,
Action Heroines, Science Fiction, Cyborg Figure, Technology, Body,

REKLAM DÜNYASINDA İMGENİN GÜCÜ ´ARÇELİK VE VESTEL REKLAMLARINDA ROBOT KARAKTERLERLE YARATILAN EVREN`
THE POWER OF IMAGE IN ADVERTISING ´THE UNIVERSE CREATED BY ROBOT CHARACTERS IN ARÇELİK AND VESTEL COMMERCIALS`
Reklam, İmge, Kodlar, Görsel Göstergebilim, Robot,
Advertising, Image, Codes, Visual Semiotics, Robot,

RESIDENT EVIL SERİSİNDE KADINA AİT TOPLUMSAL CİNSİYET ROLLERİNİN ANALİZİ
ANALYSIS OF WOMEN`S SOCIAL GENDER ROLES IN RESIDENT EVIL SERIES
Resident Evil, Film, Toplumsal Cinsiyet Rolü, Ataerkillik, Kadın Kahraman,
Resident Evil, Film, Social Gender Role, Patriarchy, Female Heroes,

ARTIRILMIŞ GERÇEKLİK UYGULAMALARININ REKLAM BEĞENİ DÜZEYİNDEKİ ROLÜ
THE ROLE OF AUGMENTED REALITY APPLICATIONS IN THE LEVELS OF LIKING ADVERTISEMENTS
Artırılmış Gerçeklik, Reklam, Artırılmış Gerçeklik Tarihi, Sanal Gerçeklik, Qr Kod,
Augmented Reality, Advertisement, History of Augmented Reality, Virtual Reality, Qr Coding,

EDEBİYATTA BİLİNÇ AKIŞI TEKNİĞİNE BAŞVURULMA SEBEPLERİ ÜZERİNE BAZI DİKKATLER
REASONS OF USING THE STREAM OF CONSCIOUSNESS TECHNIQUE IN THE LITERATURE ON SOME CAUTIONS
Bilinç Akışı Tekniği, Psikanaliz Kuramı, Serbest Çağrışım Metodu, Edebiyat, Roman,
Stream of Consciousness Technique, Psychoanalytic Theory, Method of Free Association, Literature, Novel,

TÜRK BASININDA LİDERLERİN KARİKATÜRİZE EDİLİŞİ: 1987 GENEL SEÇİMLERİ ÖRNEĞİ
CARICATURIZATION OF THE LEADERS IN THE TURKISH PRESS: EXAMPLE OF THE GENERAL ELECTIONS OF 1987
Göstergebilim, Dil Bilim, Karikatürler, Siyasal Karikatürler, Lider Parametreleri,
Semiology, Linguistics, Cartoon, Political Leader, Leader Parameters,

KARAGÖZDE BİÇİM VE ANLAM KURGUSU
FICTION OF FORM AND MEANING IN KARAGÖZ
Karagöz, bildirişim, sembol, algı, kurgu,
Karagöz, communication, symbol, perception, fiction,

BATI KÖKENLİ ÇİZGİ FİLMLERDE IRKÇI, KAPİTALİST VE AYRIMCI İDEOLOJİK SÖYLEM
RACIST, CAPITALIST AND DISCRIMINATORY DISCOURSE IN CARTOON WITH WESTERN ORIGIN
Çizgi Film, İdeoloji, Irkçılık, Ayrımcılık, Burjuva,
Cartoon, Ideology, Racism, Discrimination, Bourgeois,

SİNEMAYI HAYATA YAKLAŞTIRMAK: SAHTE BELGESEL (MOCKUMENTARY) FİLMLER
MAKING CINEMA CLOSE TO LIFE: FAKE DOCUMENTARY (MOCKUMENTARY) MOVIES
Sinema , Belgesel, Gerçeklik, Mockumentary , Sahte Belgesel,
Cinema, Documentary, Reality , Mockumentary, Fake Documentary,

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