MİMARLIĞIN FELSEFE İLE İLİŞKİSİNİN RÖNESANS, 17. VE 18. YÜZYIL YAPI ÖRNEKLERİ ÜZERİNDEN İRDELENMESİ
THE ANALYSIS OF THE RELATIONSHIP BETWEEN ARCHITECTURE AND PHILOSOPHY ASSUMING THE CONSTRUCTIONS OF RENAISSANCE 17 th and 18 th CENTURY
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Mimarlık,
Felsefe,
Rönesans,
17. Yüzyıl,
18. Yüzyıl,
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Architecture,
Philosophy,
Renaissance,
17th Century,
18th Century,
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DALGACIK VE DALGACIK PAKET AYRIŞTIRMASI İLE İMGELERDEN GÜRÜLTÜ TEMİZLEMESİ ANALİZİ
ANALYSIS OF DENOISING WITH WAVELET AND WAVELET PACKAGE DECOMPOSITION METHODS
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DALGACIK DÖNÜŞÜMÜ,
DALGACIK PAKET AYRIŞTIRMASI,
GÜRÜLTÜ TEMİZLEME,
GÖRÜNTÜ İŞLEME,
PSNR,
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WAVELET TRANSFORM,
WAVELET PACKAGE DECOMPOSITION,
DENOISING,
IMAGE PROCESSING,
PSNR,
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İÇERİK TABANLI MEDİKAL İMGE ERİŞİMİNDE GABOR DOKUSAL ÖZNİTELİKLERİNİN VERİMLİLİĞİ
EFFIENCY OF GABOR WAVELET TEXTURE FEATURES IN CONTENT BASED MEDICAL IMAGE RETRIEVAL
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YTGE,
GABOR DALGACIK DÖNÜŞÜMÜ,
İÇERİK TABANLI İMGE ERİŞİMİ,
ÖZELLİK ÇIKARIMI,
DOKU ANALİZİ,
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CBIR,
GABOR WAVELET TRANSFORM,
CONTENT BASED IMAGE RETRIEVAL,
FEATURE EXTRACTION,
TEXTURE ANALYSIS,
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MİMARİ TASARIM EĞİTİMİ VE ÇAĞDAŞ MİMARLIK SORUNSALI ÜZERİNE
ARCHITECTURAL DESIGN EDUCATION AND THE PROBLEMATIC OF CONTEMPORARY ARCHITECTURE
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Konvansiyonel Mimarlık,
Konvansiyonel olmayan Mimarlık,
Çağdaş Mimarlığın Kavramları,
Mimari İletişim,
Güncel Tasarım Kavramları,
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Conventional Architecture,
Non-Conventional Architecture,
Concepts of Contemporary Architecture,
Architectural Communication,
The current Design Concepts,
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OKULLARDA SOSYAL ADALET KAVRAMINA İLİŞKİN ÖĞRETMENLERİN ÜRETTİKLERİ METEFORLAR
THE METAPHORS TEACHERS PRODUCED CONCERNING SOCIAL JUSTICE NOTION IN SCHOOLS
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SOSYAL ADALET,
METEFOR,
ÖĞRETMEN,
YÖNETİCİ,
OKUL TÜRÜ,
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SOCIALJUSTICE,
METAPHOR,
TEACHER,
ADMİNİSTRATOR,
SCHOOL TYPE,
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ÖĞRETMEN ADAYLARINDA İZ BIRAKAN ÖĞRETMENLERLE YAŞANILAN DENEYİMLERİN MESLEK TERCİHLERİ AÇISINDAN İNCELENMESİ
AN INVESTIGATION OF PROSPECTIVE TEACHERS’ EXPERIENCES WITH THEIR UNFORGOTTEN TEACHERS FROM A CAREER CHOICE PERSPECTIVE
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Öğretmenlik mesleği,
Meslek tercihi,
İlköretim,
Öğretmen yetiştirme,
Deneyim,
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Teaching profession,
Career choice,
Elementary education,
Teacher education,
Experience,
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SPORUN REKLAMLARDAKİ GÜCÜ: TÜRK TELEVİZYON KANALLARINDA YAYINLANAN REKLAMLARDA SPOR İMGESİ
THE POWER OF SPORT IN ADVERTISMENTS: THE IMAGE OF SPORT ON ADVERTISMENTS ON TURKISH TVs
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Spor,
Spor İmajı,
Reklam,
İmge,
Reyting ,
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Advertising,
Sport,
Sports Image,
Imagery,
Rating,
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ÇOCUK TÜKETİCİLERİN MARKA SİMGELERİNİ ALGILAMA DURUMLARI
THE STATUS OF PERCEPTION OF BRAND SYMBOLS BY CHILD CONSUMERS
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Çocuk Tüketiciler,
Marka Simgesi Algılama,,
Marka Farkındalığı,
Ürün Markasını Sınıflandırma,
Çocuk,
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Child Consumers,
Perception of Brand Symbol,,
Awareness of Brand,
Classifying the Brand of a Product,
Child,
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NALLIHAN İĞNE OYALI BEZ DOKUMACILIĞI
NALLIHAN CLOTH WEAVING WITH NEEDLE LACE
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Nallıhan,
İğne Oyası,
Dokuma,
Hamiyet GÜRELLİ,
El Sanatları,
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Nallıhan,
Needle Lace,
Weaving,
Hamiyet GÜRELLİ,
Handcrafts,
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GENÇLİK ALTKÜLTÜRLERİNE AİT GİYİMLERİN GÖSTERGEBİLİMSEL İNCELENİŞİ
SEMIOLOGICAL EXAMINATION OF CLOTHING BELONGS TO YOUTH SUBCULTURES
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Altkültür,
Giyim,
Kimlik,
Göstergebilim,
Moda,
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Subculture,
Clothing,
Identity,
Semiology,
Fashion,
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SİYASAL İLETİŞİM AÇISINDAN TÜRK SİYASİ PARTİLERİNİN WEB SİTELERİNİN HABER VERME İŞLEVİ
THE NEWS GIVING FUNCTION OF THE TURKISH POLITICAL WEB SITES IN ACCORDANCE WITH POLITICAL COMMUNICATION
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HABER DEĞERİ,
WEB HABERCİLİĞİ,
SİYASAL İLETİŞİM,
SİYASİ PARTİLERİN WEB SİTELERİ,
NESNELLİK,
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news value,,
web journalism,,
political communication,,
Turkish political parties,
objectivity.,
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YAZILI BASININ ‘SİYASAL LİDER İMAJI’NA KATKISI
CONTRIBUTION OF PRESS TO THE IMAGE OF POLITICAL LEADERSHIP
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İMAJ,
İLETİŞİM,
YAZILI BASIN,
SİYASAL LİDER İMAJI,
İLETİŞİM SÜRECİ,
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IMAGE,
COMMUNICATION,
PRESS,
IMAGE OF POLITICAL LEADERSHIP,
PROCESS OF COMMUNICATION,
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ANDREW MARVELL’IN “TO HIS COY MISTRESS” ADLI ŞİİRİNDE İMGE
IMAGERY IN ANDREW MARVELL’S “TO HIS COY MISTRESS”
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Andrew Marvell,
To His Coy Mistress,
Metafizik Şiir,
Carpe Diem,
İmge,
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Andrew Marvell,
To His Coy Mistress,
The Metaphysical Poetry,
Carpe Diem,
İmagery,
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DİL, KÜLTÜR VE EĞİTİM İLİŞKİSİ
THE RELATIONSHIP BETWEEN LANGUAGE, CULTURE, AND EDUCATION
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Dil,
Kültür,
Eğitim,
Toplum,
İlişki,
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Language,
Culture,
Education,
Relationship,
Society,
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METİNLERARASI BİR YAKLAŞIM: “PAMUK PRENSES VE YEDİ CÜCELER” ŞİİRİ
AN INTERTEXTUAL APPROACH: A POEM “SNOW WHITE AND SEVEN DWARFS”
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Amerikan Şiiri ,
Gizdökümcü Şair,
Metinlerarasılık,
Pamuk Prenses ve Yedi Cüceler,
Alımlama Estetiği,
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American Poetry ,
Confessionalist Poet,
Snow White and Seven Dwarfs,
Intertextuality,
Reception Theory,
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CAHİT SITKI TARANCI’NIN VAROLUŞUNU TAMAMLAYAN İMGE: AŞK
THE IMAGE COMPLETING EXISTENCE OF CAHIT SITKI TARANCI: LOVE
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Varoluşçuluk,
Cahit Sıtkı Tarancı,
Türk Şiiri,
Türk Edebiyatı,
Aşk,
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Existentialism,
Cahit Sytky Tarancy,
Turkish Poetry,
Turkish Literature,
Love,
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ÇAĞDAŞ BİR ÇÖZÜMLEME YÖNTEMİ: GÖSTERGEBİLİM
A CONTEMPORARY METHOD OF ANALYSIS: SEMIOTICS
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Göstergebilim,
Gösterge,
anlam,
söylem,
gerçek,
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Semiotics,
sign,
meaning,
discourse,
reality,
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KİL TABLETLERDEN ELEKTRONİK TABLETLERE: İLETİŞİM ARAÇLARININ TARİHSEL GELİŞİM SÜRECİ
FROM CLAY TABLETS TO ELECTRONIC ONES: THE HISTORICAL DEVELOPMENT PROCESS OF COMMUNICATION INSTRUMENTS
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İletişim,
İletişim Tarihi,
İnsan,
Buluş,
İletişim Teknolojisi,
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Communication,
History of Communication,
Human Being,
Invention,
Communication Technology,
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REKLAM DÜNYASINDA İMGENİN GÜCÜ ´ARÇELİK VE VESTEL REKLAMLARINDA ROBOT KARAKTERLERLE YARATILAN EVREN`
THE POWER OF IMAGE IN ADVERTISING ´THE UNIVERSE CREATED BY ROBOT CHARACTERS IN ARÇELİK AND VESTEL COMMERCIALS`
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Reklam,
İmge,
Kodlar,
Görsel Göstergebilim,
Robot,
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Advertising,
Image,
Codes,
Visual Semiotics,
Robot,
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KENTSEL İMGE OLARAK SAAT KULELERİ; II. ABDÜLHAMİT HAN DÖNEMİ SAAT KULELERİNİN İSTANBUL DIŞI TÜRKİYE COĞRAFYASINDA DAĞILIMLARI VE BİR TİPOLOJİ DENEMESİ
URBAN IMAGE OF THE CLOCK TOWER; IN THE PERIOD OF II. ABDÜLHAMIT, THE DISTRIBUTION OF CLOCK TOWERS OUTSIDE ISTANBUL IN THE GEOGRAPHY OF TURKEY AND A TYPOLOGY TRIAL
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II. Abdülhamit Han Dönemi,
Saat Kulesi,
Tipoloji,
Kentsel İmge,
Kent Belleği ,
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The Period of II. Abdülhamit Han,
Clock Tower,
Typology,
Urban Images,
Urban Memory,
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TÜRK GELENEKSEL GİYİM KÜLTÜRÜNDE ŞALVAR
SHALWAR IN TURKISH TRADITIONAL CLOTHING CULTURE
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Şalvar,
Pantolon,
Kültür,
Orta Asya,
Türk,
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Shalwar,
Pants,
Culture,
Central Asia,
Turkish,
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ELEKTRİK VE ELEKTRONİK EĞİTİMİNDE TİNA PROGRAMININ UYGULANMASI
APPLICATION OF TINA PROGRAM IN ELECTRICS AND ELECTRONICS EDUCATION
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Elektrik Eğitimi, Elektrik Devreleri, Sayısal Elek,
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Electrical Education, Electrical Circuit, Digital ,
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ROMAN TEKNİĞİ BAKIMINDAN YABAN
“YABAN” IN HINSICHT AUF ROMANTECHICKEN
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Yakup Kadri Karaosmanoğlu, Ahmet Celâl, Yaban/cıla,
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Yakup Kadri Karaosmanoğlu, Ahmet Celâl, Fremdling,,
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RESİMDE KIPIRTI
MOTION IN PAINTING
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Kıpırtı,
Hareket,
An ,
Resim,
Sanat,
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Slight movement,
Motion,
Moment,
Painting,
Art,
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THE CONTRIBUTION OF THE TURKISH PRINTMAKING ARTIST TO THE INTERNATIONAL ART
TÜRK BASKIRESİM SANATÇILARININ ULUSLARARASI SANATA KATKISI
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Baskıresim ,
Grafik Sanatlar,
Grafik Tasarım,,
Görsel İletişim,
Güzel Sanatlar,
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Printmaking ,
Graphic Arts,
Graphic Design,
Visual Cominication,
Fine Arts,
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KÖTÜ RESMİN SANATTAKİ YERİ
PLACE OF BAD PAINTING IN FINE ART
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Kötü Resim,
Yeni Dışavurumculuk,
Yeni İmge Resmi,
Kötü,
Yıkıcı,
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Bad Painting,
New Expressionism,
New Image Painting,
Bad,
Destructive,
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HIRVATİSTAN’IN MİLLİ SEMBOLÜ OLAN SATRANÇ TAHTASI’NIN SEMİYOLOJİK AÇIDAN İNCELENMESİ
THE INVESTIGATION OF CROATIAN NATIONAL SYMBOL: CHESS BOARD IN SEMIOLAGICAL PERSPECTIVE.
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Sembol,
Görsel İletişim,
Grafik Tasarım,
Satranç Tahtası,
Semiyoloji,
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Symbol,
Visual cominication,
Graphic Design,
Chessboard,
Semiological,
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SENTEZLENMİŞ DÜŞÜNSEL İMGELERİN BİR DANS KOREOGRAFİSİNE DÖNÜŞÜMÜ
INTELLECTUAL IMAGES INTO A DANCE CHOREOGRAPHY: â€THREE†DANCE PROJECT
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Beşeri İlişkiler,
Açgözlülük,
İhtiras,
Çatışma,
Ego,
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Human Relations,
Greed,
Ambition,
Conflict,
Ego,
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TÜRK RESMİNDE DİN KONULU RESİMLERDE SEMBOL
THE SYMBOLS IN THE PAINTINGS ON THE THEME OF RELIGION
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Türk Resmi,
Din,
Simge,
Sembol,
İmge,
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Turkish Painting,
Religion,
Icon,
Symbol,
Imagery,
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SANATTA DİYALEKTİK İMGE
DIALECTIC IMAGE IN ART
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Diyalektik İmge,
Walter Benjamin,
Pasajlar,
Angelus Novus,
Sanat,
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Dialectical Image,
Walter Benjamin,
Passages,
Angelus Novus,
Art,
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KERRY JAMES MARSHALL’IN ‘DE STYLE’ ESERİNDEKİ SİYAH İMGELERİN GÖZLERİ
THE EYES OF THE BLACK IMAGES OF THE KERRY JAMES MARSHALL'S ‘DE STYLE’
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İmge,
Göz,
Bakış,
Kerry James Marshall,
De Style,
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Image,
Eye,
Look,
Kerry James Marshall,
De Style,
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SÖYLEMLER ÜZERİNDEN POP ART DÖNEMİ MOBİLYALARININ İNCELENMESİ
ANALYSIS OF POP ART PERIOD FURNITURES THROUGH THE DISCOURSE
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Pop Art,
Tüketim,
Mobilya,
Verner Panton,
Eero Aarnio,
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Pop Art,
Consumption,
Furniture,
Verner Panton,
Eero Aarnio,
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SİMURG SÖYLENİNDE KUŞ İMGESİ
THE IMAGE OF BIRD IN THE NARRATIVE OF SIMURGH
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Kuş,
İmge,
Simurg,
Söylen,
Sanat ,
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Bird,
Image,
Simurgh,
Myth,
Art,
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BİR BİLİNÇ ALANI OLARAK TRABZON KENT MERKEZİNİN GÜNCEL VE BİREYSEL İFADELER ÜZERİNDEN YORUMLANMASI
INTERPRETATION OF TRABZON CITY CENTER AS AN AREA OF CONSCIOUSNESS THROUGH CURRENT AND INDIVIDUAL EXPRESSIONS
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Bilinç,
Bellek,
Kültürel Kimlik,
Trabzon,
Kent,
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Consciousness,
Memory,
Cultural Identity,
Trabzon,
City,
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IRONY AS A INSTRUMENTALITY OF QUOTING IN POSTMODERN ART
POSTMODERN SANATTA İFADE ARACI OLARAK İRONİ
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Sanat,
Modernizm,
Postmodern Sanat,
Alıntılama,
İroni,
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Art,
Modernism,
Postmodern Art ,
Quoting,
Irony,
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DIŞAVURUMCU RESİM ANLAYIŞINDA PORTRE
PORTRAIT IN EXPRESSIVE PICTURE APPROACH
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Resim Sanatı,
Dışavurumculuk,
Portre,
Otoportre,
Deformasyon,
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Painting Art,
Expressionism,
Portrait,
Self-Portrait,
Deformation,
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RESİM SANATINDA İMGE, İMGELEM, YARATICILIK VE YARATMA SÜRECİ
IMAGE, IMAGERY, CREATIVITY AND CREATION PROCESS IN PAINTING ART
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İmge,
İmgelem,
Yaratıcılık,
Resim Sanatı,
Yaratma Süreci,
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Image,
Imagery,
Creativity,
Painting Art,
Creation Process,
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ÇOCUK RESİMLERİNDE GÖRME BİÇİMLERİ
THE MANNER OF SEEING IN THE PICTURES OF CHILDREN
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Çocuk,
Görme,
İmge,
Resim,
Sanat eğitimi,
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Children,
Seeing,
Painting,
Image,
Art education,
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